Since landscape photography is now my main focus, I’ve started thinking about it a lot. I write down these thoughts sometimes in a blog. If you would like to know when I post, sign up below.
I’m Edward and I live in Bristol in the south west of England. In many ways, I am glad to be an amateur photographer. Without economic constraints, I have had the freedom to experiment. As much as the end result, I enjoy the process of photography—and where it takes me. I have always shot whatever was in front of me. While living abroad I took travel photos and when I was in bigger cities, I tried my hand at street. In the last few years nature photography and especially landscape photography and landscape astrophotography have been my focus.
My landscape photography work has been featured in the Sun, the Telegraph, the Mirror, the Mail Online and on the BBC and I have worked doing videography for companies such as World Nomads and Glide.
My portfolio contains the work I am most proud of, but I have made a larger body of work available to buy on the prints page. If something on social media takes your fancy or if you want a larger print than is available in the shop, email me: edward@allist.one
I just got back from a trip to Coigach and Assynt and I have unfinished business. I didn’t feel this after my 2021 trip to Scotland when I visited Glencoe, Skye, Harris and Lewis. So what’s different? Well, I came home a few days early—that’s part of it. I was camping in my car, and though Scotland is well set up for vehicle campers
I am very pleased to announce that my image of Glastonbury Tor, Storm and Fire, has been highly commended in the UK Landscape Photographer of the Year awards. This was my first time entering the competition, and I am really pleased to be recognised by the judges. Some of the people who most inspire me have placed in this competition in the past or
I have written before about my love of soft, indirect light. This preference has only grown in the past eighteen months. There are a few reasons I prefer soft light. They are all practical: (1) while direct sunlight largely determines a composition for us, flatter light allows one to bring mood and story to an image during the editing process; (2) cloudy, overcast days
Not long after first taking up a camera, you will discover the rules of photography—someone will feel duty-bound to tell you. We don’t need an exhaustive list here, but look for the verb in the imperative form: “always fill the frame,” “remember the rule of thirds,” and “look for odd numbers.” These are all common edicts. However, no matter how firmly stated, rarely are
This weekend, I had a couple of things on my to-do list: eBay some old tech and frame some recent images. eBay was a necessary evil, but I was looking forward to printing my work. I had the romantic vision of a slow Sunday proofing and perfecting my images, cup of tea in hand. However, in the end, my expectations were reversed. Listing items
I just came back from staying with friends in Cornwall. It was exhausting—staying in Cornwall always is. Though I should be sensible, I’m an early riser, and I’m out on the beaches taking photos for several hours before anyone else wakes. With full days exploring and late evenings socialising, after a few nights away, I start to feel thinly drawn. I like to think
I’m Edward and I live in Bristol in the south west of England. In many ways, I am glad to be an amateur photographer. Without economic constraints, I have had the freedom to experiment. As much as the end result, I enjoy the process of photography—and where it takes me. I have always shot whatever was in front of me. While living abroad I took travel photos and when I was in bigger cities, I tried my hand at street. In the last few years nature photography and especially landscape photography and landscape astrophotography have been my focus.
My landscape photography work has been featured in the Sun, the Telegraph, the Mirror, the Mail Online and on the BBC and I have worked doing videography for companies such as World Nomads and Glide.
My portfolio contains the work I am most proud of, but I have made a larger body of work available to buy on the prints page. If something on social media takes your fancy or if you want a larger print than is available in the shop, email me: edward@allist.one
Since landscape photography is now my main focus, I’ve started thinking about it a lot. I write down these thoughts sometimes in a blog. If you would like to know when I post, sign up below.
I just got back from a trip to Coigach and Assynt and I have unfinished business. I didn’t feel this after my 2021 trip to Scotland when I visited Glencoe, Skye, Harris and Lewis. So what’s different? Well, I came home a few days early—that’s part of it. I was camping in my car, and though Scotland is well set up for vehicle campers when the rain came in earnest, cooking and
I am very pleased to announce that my image of Glastonbury Tor, Storm and Fire, has been highly commended in the UK Landscape Photographer of the Year awards. This was my first time entering the competition, and I am really pleased to be recognised by the judges. Some of the people who most inspire me have placed in this competition in the past or are otherwise involved in the judging or—indeed—founded LPOTY.
I have written before about my love of soft, indirect light. This preference has only grown in the past eighteen months. There are a few reasons I prefer soft light. They are all practical: (1) while direct sunlight largely determines a composition for us, flatter light allows one to bring mood and story to an image during the editing process; (2) cloudy, overcast days give more time to explore and shoot; and
Not long after first taking up a camera, you will discover the rules of photography—someone will feel duty-bound to tell you. We don’t need an exhaustive list here, but look for the verb in the imperative form: “always fill the frame,” “remember the rule of thirds,” and “look for odd numbers.” These are all common edicts. However, no matter how firmly stated, rarely are these directions essential to creating a pleasing photo.
I’m Edward and I live in Bristol in the south west of England. In many ways, I am glad to be an amateur photographer. Without economic constraints, I have had the freedom to experiment. As much as the end result, I enjoy the process of photography—and where it takes me. I have always shot whatever was in front of me. While living abroad I took travel photos and when I was in bigger cities, I tried my hand at street. In the last few years nature photography and especially landscape photography and landscape astrophotography have been my focus.
My landscape photography work has been featured in the Sun, the Telegraph, the Mirror, the Mail Online and on the BBC and I have worked doing videography for companies such as World Nomads and Glide.
My portfolio contains the work I am most proud of, but I have made a larger body of work available to buy on the prints page. If something on social media takes your fancy or if you want a larger print than is available in the shop, email me: edward@allist.one
Since landscape photography is now my main focus, I’ve started thinking about it a lot. I write down these thoughts sometimes in a blog. If you would like to know when I post, sign up below.
